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歐洲的某個(gè)地方

9.0

類型：劇情地區(qū)：其它年份：1948 語言：其它

主演：Artúr Somlay Miklós Gábor Zsuz

導(dǎo)演：Radványi Géza

更新：2024-11-07 08:11:47

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歐洲的某個(gè)地方劇情

　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the stre 　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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主演作品

DVD

歐洲的某個(gè)地方

Artúr Somlay,Miklós Gábor,Zsuzsa Bánki

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常見問題

1.請問哪個(gè)平臺可以在線免費(fèi)觀看劇情片《歐洲的某個(gè)地方》？

優(yōu)酷視頻網(wǎng)友：《歐洲的某個(gè)地方》免vip在線觀看地址 www.xm-barcode.com/shi/56701.html

2.《歐洲的某個(gè)地方》是什么時(shí)候上映/什么時(shí)候開播的？

騰訊視頻網(wǎng)友：1948年，詳細(xì)日期可以去百度百科查一查。

3.《歐洲的某個(gè)地方》主要演員有哪些？

愛奇藝網(wǎng)友：主演Artúr Somlay,Miklós Gábor,Zsuzsa Bánki

4.劇情片《歐洲的某個(gè)地方》有多少集？

電影吧網(wǎng)友：現(xiàn)在是全集已完結(jié)

5.手機(jī)版免費(fèi)在線點(diǎn)播《歐洲的某個(gè)地方》有哪些網(wǎng)站？

手機(jī)電影網(wǎng)網(wǎng)友：電影天堂網(wǎng)、神馬電影手機(jī)端、神馬電影網(wǎng)

6.《歐洲的某個(gè)地方》評價(jià)怎么樣？

百度最佳答案：《歐洲的某個(gè)地方》評價(jià)很好，演員陣容強(qiáng)大，并且演員的演技一直在線，全程無尿點(diǎn)。你也可以登錄百度問答獲得更多評價(jià)。

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歐洲的某個(gè)地方

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